First Light

in dark nights 5, originally uploaded by davidericfoaney.

I ain’t been nowhere I wanna go
And it makes me crazy.
Something in me get evil when I hear somebody
Done gone there
And got the nerve to tell me about it.
Face freeze up, my eyes cut and my feet start arguing.

Walk away, nigger…

but I don’t.

I just stay and watch his face and listen to him tell me
Where he been and and where else he wanna go.
My feet continue to bicker with me.

Walk away.
This ain’t yours.
You know that.

But how come it can’t? Why the fuck not?
Instead I nurse loss.

Bite down on it.
Blood come softly.

Filled my mouth, warm.

I lick his teeth and tongue.
Stop it.

Stop the noise is all I want to do.
Spit each word back into his mouth.
Stop.

Shut him up. Gag him.
Coat his throat. His memory of me. Of it.
Want him to taste the blood.
Memorize its sweetness.

Still, he talking. Not stopping. Laughing even.
No room for my words.
They limp sitting on a bench somewhere
In the dark.
Balloon holding.
Keeping watch for mama.
But fingers can’t reach through to that side.
Yet.

Words wait.
Shuffle their feet.
Waiting.
For first light.

Walk away.

Stevie wonders Toledo 2008



Stevie Wonders, originally uploaded by davidericfoaney.

toledo can/will

blind you

mind you
even
if you ain’t there
it’ll find you
grind you
take apart your mind
you
safe not here time you
how fast it take to
drive through
how you

blue
depression covers every
toad stool
houses boarded up
elephants forget to
water the children
waves through
desire low
you

curiosity
lacks use

it’s time you
pull through
take to
streets you
promise
to
love or
leave you
to
never leave
to
forget you
no lie
you
Toledo
can’t forget
to
smile true
love leave you
new
new
knew
knew

kill my family
you
crosses you up
you
church praying
blues
lose
snooze
true

glass breaks.

we do
too.

Between Black Thighs @ Schomburg Tue 19 Aug 08

muthaTuesday, August 19, 2008, 7:00 PM
Join Drs. LaMonda Horton Stallings, author of Mutha is Half a Word, and Herukhuti, author of Conjuring Black Funk, for a lively gathering with two outspoken academics about the politics of sexuality among people of African descent in the US. They will read excerpts from their groundbreaking works and contribute to a discussion facilitated by erotica author, Kimberly Q, and with a special performance by Nhojj. The event is hosted by Steven G. Fullwood, project director of the Black Gay & Lesbian Archive. A Q&A and signing will follow the program. Books, CDs and DVDs will be available for purchase.

Body Talk @ The Schomburg Center Monday 18 Aug 08

tblwtbMonday, August 18, 2008, 7:00 PM
Join lesbian writers Cheryl Clarke, Pamela Sneed and Linda Villarosa, for an exciting evening of readings from their latest works, and a preview of upcoming projects. Clarke is co-editor of To Be Left With the Body and the author of The Days of Good Looks. Sneed, whose previous work includes Imagine Being More Afraid of Freedom than Slavery, will read from her upcoming work, KONG. Villarosa will read from her first book of fiction, Passing for Black. A book signing will follow the presentation with light refreshments.

TBLWTB Clarke and Fullwood Interview with Herukhuti at Blackfunk.org

tblwtb interviewHERU: Why this book and why now, both for you and for the world?

STEVEN: TO BE LEFT WITH THE BODY is the third in a series of books created by and for Black gay men produced by AIDS Project Los Angeles as a creative way to address HIV risk.

That said, the book is both nostalgic and magical for me, a grateful return to the first editing job I ever had. My experience with Colin Robinson, formerly the Executive Director of New York State Black Gay Network, and George Ayala, then the outreach educator/coordinator from APLA, taught me how to collaborate with editors and writers, solicit work from artists and to dedicate myself to the process. Working with Colin, George and the writers in Think Again was a critical step toward opening my own press a year later. I thank George and specifically Pato Hebert, who helmed the project for APLA, for allowing me this space to create and refine my thinking about the endless possibilities in doing HIV outreach to Black gay men. Both men were open to new things and continuously strive to do their work in creative, profound ways. It was a joy to work with Pato on this project because his vision and talents are expansive. Not only did he design the book, he also gave Cheryl and I space to imagine this project without limiting us. All we had to do is hit our deadlines. Check out his work on the countless APLA publications online at apla.org.

CHERYL: Thank you, Heru, for doing this interview. Actually, I got introduced to the publications of AIDS Project Los Angeles with Vol.4, Issue 1 of CORPUS, edited by Alex Juhasz in 2006, in which I published an article on Black Gay Writing. That particular issue explored women’s relationships with HIV+ men.

To continue reading go to Blackfunk.org.